E2環繞鏡頭・順時針
世界在動、主體靜止;轉折的一刻
弧形向左是攝影機沿弧線向左繞主體的運鏡。用途:揭示角色的另一面;權力的悄悄轉移。
E1b

場景段落 黎明時分霧氣繚繞的林間空地,寫實中世紀奇幻。一位身穿破舊鋼製板甲與深藍披風的騎士獨自跪在空地中央,低著頭,雙手搭在插入草地的長劍劍柄上。四周是高大的松樹,霧氣飄動,灰色的散射光。以 35mm 底片拍攝的真人實拍影像,真實人物,自然的膚質與質感。
平視、從前側四分之三角度拍騎士的全身景,攝影機架在弧形軌道上,從第一秒起沿淺弧朝畫面左方繞著他移動,保持相同距離和高度。0–2s: 弧形移動開始時他低頭跪著。2–4s: 角度改變時,松樹在他身後緩緩旋轉。4–6s: 角度轉向他的正面。6–8s: 停在正對他的位置,他抬眼看向鏡頭。全程:繞單一主體的四分之一圈弧形,一鏡到底。
Scene paragraph A misty forest clearing at dawn, photoreal medieval fantasy. A knight in battered steel plate armor and a dark blue cloak kneels alone in the center of the clearing, head bowed, both hands resting on the hilt of a longsword planted point-down in the grass. Tall pines all around, drifting mist, grey diffused light. Live-action footage shot on 35mm film, real people, natural skin and textures.
Full shot of the knight from a front three-quarter angle at eye level, the camera on a curved track moving along a shallow curve toward screen left around him from the first second, keeping the same distance and height. 0–2s: he kneels with his head bowed as the arc begins. 2–4s: the pines rotate slowly behind him as the angle changes. 4–6s: the angle turns toward his front. 6–8s: it settles facing him straight on as he lifts his eyes to the lens. Throughout: a quarter arc around one subject, one continuous take.
弧形運鏡停在新角度,不會回到起點。這就是它和環繞鏡頭的差別。
另一個方向: 弧形運鏡・向右
可搭配: 暗自得意