A2熄燈,只留一盞光
均勻頂光 → 一圈暖光
筆燈光束 → 冷色平板的日光燈
A1b

中景,夜裡一位穿深色大衣的年輕女警探拿著小小的筆型手電筒搜查嫌犯的辦公室,寫實驚悚片,固定鏡頭。0–2s: 辦公室一片漆黑,只有細窄的筆燈光束照亮她的臉和一個拉開的抽屜。2–4s: 頂上的日光燈猛烈閃了一下,啪地亮起。4–6s: 刺眼、明亮、平板的白光灌滿整間辦公室,每個角落都無所遁形,她的臉突然變得又亮又蒼白。6–8s: 她在強光中僵住,筆燈還舉在手上,慢慢轉頭望向畫面外的門。全程:檔案櫃,昏暗窗戶上的百葉窗,開燈後是高調白光,鏡頭固定不動,一鏡到底。
Medium shot of a young woman detective in a dark coat searching a suspect's office at night with a small penlight, photoreal thriller, locked camera. 0–2s: the office is pitch dark; only the narrow penlight beam lights her face and an open desk drawer. 2–4s: the overhead fluorescent lights snap on with a hard flicker. 4–6s: harsh, bright, flat white light floods the whole office, every corner exposed, her face suddenly bright and pale. 6–8s: she freezes in the glare, penlight still raised, and slowly looks toward the door out of frame. Throughout: filing cabinets, blinds over a dark window, high-key white light after the switch, fixed camera, one continuous take.
和喜劇版用同一段光線層,只換了主體、冷色調和代價。同樣是被看光,這次是危險而不是笑點。
同一段光線,換個類型: 開燈被抓包