01克里斯多福・諾蘭風格
冷調、紮實的大畫幅寫實
維勒納夫風格是朦朧粗獷建築、低飽和赭灰色、渺小人物對比巨大尺度的電影氛圍。
03真人實拍、真實人物、自然的皮膚與質感,宏大的極簡主義:巨大的粗獷主義混凝土建築、柔化一切的霧靄、赭色、沙色和灰色的低飽和色盤、極靜止的構圖,渺小的人物對比巨大的尺度。傍晚時分的城市街道。一位穿深色羊毛大衣的年輕男子沿著人行道走過一排商店櫥窗,走向轉角一家小咖啡館。遠景,攝影機從第一秒起就以步行速度在他身側橫移跟拍。0–2s: 他走過一排商店櫥窗。2–4s: 他經過一個花攤和一輛停著的腳踏車。4–6s: 他走到咖啡館前,攝影機隨之緩緩停下。6–8s: 他推開咖啡館的門走進去。全程:畫面始終朦朧、低飽和的赭與灰,有巨大的粗獷主義尺度,一鏡到底。
Live-action footage, real people, natural skin and textures, with monumental minimalism: vast brutalist concrete buildings, haze softening everything, a muted palette of ochre, sand and grey, very still compositions and a tiny figure against enormous scale. A city street in the late afternoon. A young man in a dark wool coat walks along the sidewalk past shop windows toward a small corner café. Wide shot, the camera tracking sideways beside him at walking pace from the first second. 0–2s: he walks past a row of shop windows. 2–4s: he passes a flower stall and a parked bicycle. 4–6s: he reaches the café and the camera eases to a stop as he does. 6–8s: he opens the café door and steps inside. Throughout: the image stays hazy and muted ochre and grey, with vast brutalist scale, one continuous take.
真人實拍、真實人物、自然的皮膚與質感,宏大的極簡主義:巨大的粗獷主義混凝土建築、柔化一切的霧靄、赭色、沙色和灰色的低飽和色盤、極靜止的構圖,渺小的人物對比巨大的尺度。
這個風格把街道改建成混凝土。風格裡提到建築時,要預期場景會跟著變。