01克里斯多福・諾蘭風格
冷調、紮實的大畫幅寫實
庫柏力克風格是冷峻廣角、單點透視、對稱而令人不安的電影氛圍。
04真人實拍、真實人物、自然的皮膚與質感,沿街道中央的單點透視、完美對稱的縱深、廣角鏡頭、冷峻的光線和令人不安的精準靜止感。傍晚時分的城市街道。一位穿深色羊毛大衣的年輕男子沿著人行道走過一排商店櫥窗,走向轉角一家小咖啡館。遠景,攝影機從第一秒起就以步行速度在他身側橫移跟拍。0–2s: 他走過一排商店櫥窗。2–4s: 他經過一個花攤和一輛停著的腳踏車。4–6s: 他走到咖啡館前,攝影機隨之緩緩停下。6–8s: 他推開咖啡館的門走進去。全程:畫面始終是單點透視、對稱,光線冷峻,一鏡到底。
Live-action footage, real people, natural skin and textures, with one-point perspective down the centre of the street, perfectly symmetrical depth, a wide-angle lens, cold clinical light and an unsettling, precise stillness. A city street in the late afternoon. A young man in a dark wool coat walks along the sidewalk past shop windows toward a small corner café. Wide shot, the camera tracking sideways beside him at walking pace from the first second. 0–2s: he walks past a row of shop windows. 2–4s: he passes a flower stall and a parked bicycle. 4–6s: he reaches the café and the camera eases to a stop as he does. 6–8s: he opens the café door and steps inside. Throughout: the frame stays one-point perspective and symmetrical in cold, clinical light, one continuous take.
真人實拍、真實人物、自然的皮膚與質感,沿街道中央的單點透視、完美對稱的縱深、廣角鏡頭、冷峻的光線和令人不安的精準靜止感。
單點透視需要攝影機順著街道往前看。側向跟拍只會得到冷調廣角,沒有消失點;需要的話要改鏡頭。