01克里斯多福・諾蘭風格
冷調、紮實的大畫幅寫實
塔倫提諾風格是溫暖有顆粒的 1970 年代底片感、大膽紅黃三原色的電影氛圍。
09真人實拍、真實人物、自然的皮膚與質感,溫暖飽和的 1970 年代底片風格:厚重顆粒、大膽的紅與黃三原色、強烈對比和風格化的酷勁。傍晚時分的城市街道。一位穿深色羊毛大衣的年輕男子沿著人行道走過一排商店櫥窗,走向轉角一家小咖啡館。遠景,攝影機從第一秒起就以步行速度在他身側橫移跟拍。0–2s: 他走過一排商店櫥窗。2–4s: 他經過一個花攤和一輛停著的腳踏車。4–6s: 他走到咖啡館前,攝影機隨之緩緩停下。6–8s: 他推開咖啡館的門走進去。全程:畫面始終是溫暖、有顆粒的 1970 年代底片與大膽三原色,一鏡到底。
Live-action footage, real people, natural skin and textures, in a warm, saturated 1970s film look: heavy grain, bold primary reds and yellows, punchy contrast and a stylised, cool attitude. A city street in the late afternoon. A young man in a dark wool coat walks along the sidewalk past shop windows toward a small corner café. Wide shot, the camera tracking sideways beside him at walking pace from the first second. 0–2s: he walks past a row of shop windows. 2–4s: he passes a flower stall and a parked bicycle. 4–6s: he reaches the café and the camera eases to a stop as he does. 6–8s: he opens the café door and steps inside. Throughout: the image stays warm, grainy 1970s film with bold primary colours, one continuous take.
真人實拍、真實人物、自然的皮膚與質感,溫暖飽和的 1970 年代底片風格:厚重顆粒、大膽的紅與黃三原色、強烈對比和風格化的酷勁。
大膽的紅黃出現在場景陳設(花、門)上,而不只是調色。色彩詞常常就是這樣落地的。