01克里斯多福・諾蘭風格
冷調、紮實的大畫幅寫實
提姆・波頓風格是歪斜灰藍哥德建築、點綴跳色、俏皮又詭譎的童話氛圍。
10真人實拍、真實人物、自然的皮膚與質感,哥德式奇想:低飽和的灰藍世界,建築細長歪斜、路燈捲曲,偶有一抹鮮豔色彩跳出,俏皮又陰森的童話感。傍晚時分的城市街道。一位穿深色羊毛大衣的年輕男子沿著人行道走過一排商店櫥窗,走向轉角一家小咖啡館。遠景,攝影機從第一秒起就以步行速度在他身側橫移跟拍。0–2s: 他走過一排商店櫥窗。2–4s: 他經過一個花攤和一輛停著的腳踏車。4–6s: 他走到咖啡館前,攝影機隨之緩緩停下。6–8s: 他推開咖啡館的門走進去。全程:世界始終是低飽和的灰藍與歪斜造型,點綴單一鮮豔色彩,一鏡到底。
Live-action footage, real people, natural skin and textures, with gothic whimsy: a desaturated grey-blue world of spindly, crooked buildings and curling lampposts, broken by single pops of bright colour, a playful, macabre fairy-tale feel. A city street in the late afternoon. A young man in a dark wool coat walks along the sidewalk past shop windows toward a small corner café. Wide shot, the camera tracking sideways beside him at walking pace from the first second. 0–2s: he walks past a row of shop windows. 2–4s: he passes a flower stall and a parked bicycle. 4–6s: he reaches the café and the camera eases to a stop as he does. 6–8s: he opens the café door and steps inside. Throughout: the world stays desaturated grey-blue and crooked, with single pops of bright colour, one continuous take.
真人實拍、真實人物、自然的皮膚與質感,哥德式奇想:低飽和的灰藍世界,建築細長歪斜、路燈捲曲,偶有一抹鮮豔色彩跳出,俏皮又陰森的童話感。
給它可以彎的東西:細長的建築、捲曲的路燈。歪斜的造型呈現得比色彩輕微。