01克里斯多福・諾蘭風格
冷調、紮實的大畫幅寫實
魏斯・安德森風格Wes Anderson style
魏斯・安德森風格是對稱置中構圖、粉彩配色、面無表情幽默的電影氛圍。
05提示詞
真人實拍，完美對稱的置中構圖、平面正面的畫面、粉紅、薄荷綠和奶油黃的粉彩色盤、柔和均勻的正面光，以及冷面幽默的繪本式靜謐；街上的店面漆成相配的粉彩色。傍晚時分的城市街道。一位穿芥末黃燈芯絨西裝的年輕男子沿著人行道走過一排商店櫥窗，走向轉角一家小咖啡館。遠景，攝影機從第一秒起就以步行速度在他身側橫移跟拍。0–2s: 他走過一排商店櫥窗。2–4s: 他經過一個花攤和一輛停著的腳踏車。4–6s: 他走到咖啡館前，攝影機隨之緩緩停下。6–8s: 他推開咖啡館的門走進去。全程：畫面始終對稱而平面，有粉紅、薄荷綠和奶油黃與柔和均勻的光，他的芥末黃西裝在粉彩中格外醒目，一鏡到底。
英文原文（產生範例影片的提示詞）
Live-action footage with perfectly symmetrical, centred framing, flat frontal compositions, a pastel palette of pink, mint green and butter yellow, soft even front light and a deadpan, storybook stillness; the street's shopfronts are painted in matching pastels. A city street in the late afternoon. A young man in a mustard-yellow corduroy suit walks along the sidewalk past shop windows toward a small corner café. Wide shot, the camera tracking sideways beside him at walking pace from the first second. 0–2s: he walks past a row of shop windows. 2–4s: he passes a flower stall and a parked bicycle. 4–6s: he reaches the café and the camera eases to a stop as he does. 6–8s: he opens the café door and steps inside. Throughout: the frame stays symmetrical and flat with pastel pink, mint and butter-yellow colours and soft even light, his mustard-yellow suit standing out against the pastels, one continuous take.
可重複使用的氛圍段落
真人實拍，完美對稱的置中構圖、平面正面的畫面、粉紅、薄荷綠和奶油黃的粉彩色盤、柔和均勻的正面光，以及冷面幽默的繪本式靜謐；街上的店面漆成相配的粉彩色。
技巧
描述手法，不要寫導演名字：置中構圖、平面正面構圖、粉彩色盤。再給角色一個在其中跳出來的顏色。
