A1推軌鏡頭・推近
把觀眾帶進角色的內心;建立重要性
穿越前景推進是攝影機滑過前景、露出後方空間的運鏡。用途:進入私密空間;讓觀眾像在偷偷潛入。
A2

場景段落 下雪的冬夜裡一間老木造玩具店,寫實闔家電影,溫暖的金色光線。架上擠滿木製玩具,一排排提線木偶吊掛在長木櫃台上方,櫃台上放著一顆裝著小村莊的雪花球。一位白髮、戴圓框眼鏡、穿綠色開襟毛衣的老玩具匠在櫃台工作。結霜的店面窗外,雪落在路燈照亮的石板街上。以 35mm 底片拍攝的真人實拍影像,真實人物,自然的膚質與質感。
鏡頭從一排貼近鏡頭的吊掛提線木偶後方低處開始,玩具匠在木偶後方,攝影機架在穩定器上從第一秒起向前滑行。0–2s: 木偶的木腿填滿近景。2–4s: 攝影機從木偶之間滑過,木偶擦過鏡頭。4–6s: 木偶掃出畫面,櫃台在眼前展開。6–8s: 停在正在彩繪小木頭士兵的玩具匠身上,他從眼鏡上方抬眼微笑。全程:平順向前滑行,一鏡到底。
Scene paragraph An old wooden toy shop on a snowy winter evening, photoreal family film with warm golden light. Shelves are crowded with wooden toys, rows of marionettes hang by their strings above a long wooden counter, and a snow globe holding a tiny village sits on the counter. An old toymaker with white hair, round glasses and a green cardigan works at the counter. Outside the frosted front window, snow falls on a lamplit cobbled street. Live-action footage shot on 35mm film, real people, natural skin and textures.
The shot opens low behind a row of hanging marionettes close to the lens, the toymaker beyond them, the camera on a gimbal gliding forward from the first second. 0–2s: the marionettes' wooden legs fill the near frame. 2–4s: the camera glides between them, the puppets brushing past the lens. 4–6s: they sweep out of the frame and the counter opens up. 6–8s: it settles on the toymaker painting a tiny wooden soldier, who looks up over his glasses and smiles. Throughout: a smooth forward glide, one continuous take.
在鏡頭前放東西。只有前景邊緣從攝影機旁掃過,推進的感覺才看得出來。