A1推軌鏡頭・推近
把觀眾帶進角色的內心;建立重要性
推軌拉遠是整台攝影機沿軌道後退、露出周圍環境的運鏡。用途:揭示環境;讓角色獨自留在更大的世界裡。
A5

場景段落 晴朗的早晨,一座擠滿釣客的長木棧碼頭,寫實喜劇。一位曬傷臉、戴漁夫帽、穿卡其釣魚背心的中年男子,得意地舉起一條小小的銀色魚。他兩側的碼頭上站著其他戴帽釣客,舉著巨大的魚。藍色海天,明亮陽光。以 35mm 底片拍攝的真人實拍影像,真實人物,自然的膚質與質感。
鏡頭從男子和他的小魚的中近景開始,攝影機架在軌道車上從第一秒起以穩定速度筆直後退。0–2s: 他舉著小魚對鏡頭咧嘴笑。2–4s: 攝影機後退時,下方出現碼頭木板,他身旁的釣客帶著真實景深進入畫面。4–6s: 其他釣客和他們的大魚填滿他周圍。6–8s: 攝影機停在寬景,他注意到別人的漁獲,慢慢放下自己的魚。全程:以固定焦段實際向後移動,一鏡到底。
Scene paragraph A sunny morning on a long wooden fishing dock crowded with anglers, photoreal comedy. A middle-aged man with a sunburned face, a bucket hat and a tan fishing vest proudly holds up a tiny silver fish. Other anglers in caps stand along the dock on both sides of him holding up enormous fish. Blue sea and sky, bright sunlight. Live-action footage shot on 35mm film, real people, natural skin and textures.
The shot opens in a medium close-up of the man and his tiny fish, the camera on a dolly track rolling straight backward at a steady pace from the first second. 0–2s: he beams at the lens holding up the tiny fish. 2–4s: as the camera rolls back, dock planks appear below and the anglers beside him enter the frame with real depth. 4–6s: the other anglers and their huge fish fill the frame around him. 6–8s: the camera settles wide as he notices their catches and slowly lowers his fish. Throughout: physical backward travel at a fixed focal length, one continuous take.
推軌拉遠是在揭示,而不只是變寬。寫出攝影機後退時有什麼進入畫面。